‘...in his confident hands Beethoven’s op. 101 was spacious and persuasive, with great delicacy in the shading and phrasing. To Liszt’s Sonetto 104 he brought flawless virtuosity... his future loooks bright.' |
International Piano Magazine |
‘This was just the right sort of virtuoso playing these pieces need, with a particularly fine account of the Chromatic Fantasy that had both freedom and imagination’ |
Misha Donat |
‘The pianist’s interpretation of the intricacies of the score was incisive, and his controlled playing, especially in the Rondo Romanze, displayed great finesse and sensitivity.’ |
Rob Cowan |
‘Powerful and intense playing.’ |
Alasdair Nicolson |
‘...in his confident hands Beethoven’s op. 101 was spacious and persuasive, with great delicacy in the shading and phrasing. To Liszt’s Sonnetto 104 he brought flawless virtuosity...he delivered Chopin's Fourth Scherzo with masterly control, and Stravinsky's Three Movements from Petrushka with dazzling force... his future looks bright.' |
|
International Piano Magazine |
|
‘This was just the right sort of virtuoso playing these pieces need, with a particularly fine account of the Chromatic Fantasy that had both freedom and imagination’ |
|
Misha Donat |
|
‘The pianist’s interpretation of the intricacies of the score was incisive, and his controlled playing, especially in the Rondo Romanze, displayed great finesse and sensitivity.’ |
|
Rob Cowan |
|
‘Powerful and intense playing.’ |
|
Alasdair Nicolson |
|